Exam preparation

Agrippina the younger source. Analysis and notes

2.826 Words / ~8 pages
<
>
swopdoc logo
Download
a) trade for free
b) buy for 6.04 $
Document category

Exam preparation
Ancient history

University, School

St Marys Wollongong

Grade, Teacher, Year

2017, 80%

Author / Copyright
Text by Patrick H. ©
Format: PDF
Size: 1.05 Mb
Without copy protection
Rating [details]

Rating 3.0 of 5.0 (1)
Networking:
  0/0|0[3]|0/1













More documents
Open Source Clinical Application and Resource Conestoga Health Service OSCAR EMR Implementation Introduction: Canada is always trying to do better in health services. With a similar vision, Conestoga Health services -which provides health care services mainly to the students- is now developing
Assess the potential for water supply to become a source of conflict In theory, there is no actual global water shortage; human beings as a species only use about 50% of the water available. However, due to there being an uneven global distribution of water supplies and a rising demand for the resource,
Livia Drusilla || Onderwerpen: Algemeen + stamboom Huwelijken Persoonlijkheid Na Augustus’ dood Algemeen Livia is geboren op 30 januari 59 of 58 vChr, het precieze jaartal weten we niet. Livia was de machtigste vrouw onder het principaat, het principaat is de eerste fase van het Romeinse

Agrippina the younger source

analysis and notes


Table to be used to record information for Part B



Source



Origin of source


Physical Description


How is Agrippina represented?


Significance or propaganda value


1



Roman coinage minted in AD 37-38.

On the observe side (left hand image) of the coin, the bust of the Emperor Caligula, known by his actual name of Gaius Julius Caesar Augustus Germanicus is featured surrounded by the words ‘C CAESAR AVG GERMANICVS PON M TR POT’

The reverse side of the coin (right) features full body models of the contemporary Emperor’s sisters, Drusilla, Livilla and Aggrippina. Around the three sisters, are there names as well as the letters ‘SC’.

Featured on the reverse side of the coin, along with her two sisters Drusilla and Livilla, Agrippina is represented with Goddess like qualities. In this depiction, Agrippina represents Securitas the goddess of security and stability. Agrippina is shown leaning against a column which Securitas is often depicted doing. In her other hand his is shown holding a cornucopia (the horn of plenty), which symbolises abundance, prosperity, nourishment and fertility.

This was significant as never before had the Emperor’s sisters been depicted on Roman coinage.  In a time where woman had no political power this can be considered an elevation of imperial women and their value.


The propaganda value of the coinage was that it demonstrated the Emperor Caligula and his 3 sisters. This representation considerably raised the status of Agrippina and her sisters as well as displayed the Julian family.



2


Photo of Agrippina the younger statue located in Capitoline Museum, Rome. Statue made approximately 1st century AD

This marble statue displays Agrippina the younger, seated on a chair in a relaxed but powerful position.

In this statue Agrippina is represented as a powerful figure. Usually present only in statues accompanied by men such as Nero, in this statue Agrippina is on her own, seated in the position of an Emperor.

This statue is significant as an Imperial woman’s value was determined by the success of the men in her life. This particular statue shows Agrippina alone, seated in the position of an Emperor, displaying her as powerful and independent. The propaganda value of this statue is that it shows Agrippina’s power and influence.

3

               The Gemma Claudia is an onyx cameo that dates back to 49 AD. The date the piece was created co-insides with the marriage of Claudius and Agrippina so it is believed to be a wedding gift.  The artist of the piece is unknown.              The Gemma Claudia is a five-layered onyx cameo which features Agrippina’s parents -Germanicus (front right) and Agrippina the elder (back right).

On the left hand side of the onyx cameo, the Emperor Claudius is depicted in front of his wife Agrippina. All four busts are protruding from cornucopias with an eagle situated between them.    Along side her husband, facing her parents; Agrippina is represented as a figure of power and prosperity.  In the Gemma Claudia, Agrippina is represented as Cybele, the Roman Goddess of fertility.


               The significance of this piece is the presence of Germanicus and his wife Agrippina the Elder.  Before their deaths, Germanicus and Agrippina the Elder were very popular with the Roman people, so by connecting these four busts, the popularity of the Germanicus and his wife is linked and influences the popularity of Agrippina and Claudius.

The use of these Germanicus and Agrippina is also a means of propaganda to promote the Julian family.

The four heads displayed on the cameo are shown to rise out of cornucopias (the horn of plenty). Singularly, Cornucopias represent abundance, prosperity, nourishment and fertility. Combined with the busts of these influence people of the Roman empire, this symbolises the prosperity of Rome and its government.

Not much is known about the Gemma Claudia. It is known whether it an original piece, if there are multiple or what its purpose is. It is believed to potentially be a wedding gift for Claudius and Agrippina. As a wedding gift, the significance of this piece is the presentation of loyalty and the acknowledgment of power.




.....[read full text]

This paragraph has been concealed!Download the complete document
DownloadAgrippina the younger source. Analysis and notes
Click on download to get complete and readable text
• This is a free of charge document sharing network
Upload a document and get this one for free
• No registration necessary, gratis

              


5+∋∋≈ ≤+;≈∋⊥∞ ∋;≈†∞⊇ ;≈ 42 48.           


7+;≈ ≤+;≈ †∞∋†∞+∞≈ +∞≈†≈ +† †+∞ 5+∋∋≈ 9∋⊥∞+++ 0†∋∞⊇;∞≈ ∋≈⊇ +;≈ ≠;†∞ 4⊥+;⊥⊥;≈∋. 0≈ †+∞ ++=∞+≈∞ ≈;⊇∞ (+;⊥+†) ;≈ †+∞ +∞∋⊇ +† 0†∋∞⊇;∞≈ ≈∞+++∞≈⊇∞⊇ ++ †+∞ ≠++⊇≈ ‘71 07428 049345 426 6954 0 4 7513 007 0 0’. 0≈ †+∞ +∞=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈ (†∞††) †+∞ +∞≈† +† 4⊥+;⊥⊥;≈∋ ;≈ ≈∞+++∞≈⊇∞⊇ ++ †+∞ ≠++⊇≈ ‘4651001449 4262374’.              


7+;≈ ≤+;≈ ⊇∞⊥;≤†≈ 4⊥+;⊥⊥;≈∋ ∋≈ ∋ ≈;⊥≈;†;≤∋≈† †;⊥∞+∞ ;≈ †+∞ 5+∋∋≈ ∞∋⊥;+∞. 7+∞ ;≈≈≤+;⊥†;+≈≈ ∋++∞≈⊇ +∞+ †∋≤∞ ⊥++∋+†∞ ∋≈⊇ ++≈+∞+ +∞+ †;††∞ +† 4⊥+;⊥⊥;≈∋∞ 4∞⊥∞≈†∋∞.              


7+∞ ≈;⊥≈;†;≤∋≈≤∞ ∋≈⊇ ⊥++⊥∋⊥∋≈⊇∋ =∋†∞∞ +† †+;≈ ≤+;≈ ;≈ †+∞ ≠+;†;≈⊥ ∋++∞≈⊇ 4⊥+;⊥⊥;≈∋’≈ †∋≤∞ +≈ †+∞ +∞=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈. 7+∞≈∞ ≠++⊇≈ ⊥++∋+†∞ +∞+ †;††∞ “4⊥+;⊥⊥;≈∋∞ 4∞⊥∞≈†∋∞”. 4≈ ++≈++∋++ †;††∞ ≠+;≤+ ≈+∞ ≠∋≈ ∋≠∋+⊇∞⊇. 1† ;≈ ≈;⊥≈;†;≤∋≈† ∋≈ ≈+∞ ;≈ †+∞ †;+≈† 9∋⊥∞+++’≈ ≤+≈≈++† †+ +∞≤∞;=∞ †+∞ †;††∞ ≠+;†∞ ≈†;†† †;=;≈⊥.

                                                                      

5

               3†∋†∞∞ +† 4⊥+;⊥⊥;≈∋ ∋≈⊇ 0†∋∞⊇;∞≈ †++∋ †+∞ 3∞+∋≈†∞;+≈ ;≈ 4⊥+++⊇;≈;∋≈. 4++∞≈⊇ 1≈† ≤∞≈†∞++ 48.        7+;≈ ≈†∋†∞∞ †∞∋†∞+∞≈ 4⊥+;⊥⊥;≈∋ (†∞††), 0†∋∞⊇;∞≈ (∋;⊇⊇†∞), ∋≈⊇ ∋ +∞∋⊇†∞≈≈ †;⊥∞+∞ (+;⊥+†). 0†∋∞⊇;∞≈ ;≈ †+∞ ≤∞≈†+∞ ∋≈⊇ †+≤∞≈ +† †+∞ ≈†∋†∞∞. 1≈ †+∞ ≤∋+=;≈⊥ 0†∋∞⊇;∞≈ ∋≈⊇ 4⊥+;⊥⊥;≈∋ ∋+∞ ++†⊇;≈⊥ +∋≈⊇≈.  1≈ †+;≈ ≈≤∞†⊥†∞+∞, 4⊥+;⊥⊥;≈∋ ;≈ +∞⊥+∞≈∞≈†∞⊇ ∋≈ ∋ †+=;≈⊥ ≠;†∞.

4⊥+;⊥⊥;≈∋ ∋≈⊇ 0†∋∞⊇;∞≈ ∋+∞ ++†⊇;≈⊥ +∋≈⊇≈, ≠+;≤+ ≈+∋++†;≈∞≈ 0+≈≤++⊇;∋ (+∋+∋+≈+) ∋≈⊇ ∋∋+;†∋† ∋††∞≤†;+≈.  1≈ †+;≈ ≈†∋†∞∞ ;† ≈∞∞∋≈ †+∋† 4⊥+;⊥⊥;≈∋ ;≈ ≠∞∋+;≈⊥ †+∞ +∋∂ ≠+∞∋†+≈. 0∋∂ ≠+∞∋†+≈ ∋+∞ †+∞ ≈∞≤+≈⊇ +;⊥+∞≈† ∋;†;†∋++ ⊇∞≤++∋†;+≈. 7+;≈ ≈+∋++†;≈∞≈ †+∞ ∋∋≈+ ++≈+∞+≈ †+∋† ≈+∞ +∋≈ +∞≤∞;=∞⊇ ≈∞≤+ ∋≈ †+∞ 4∞⊥∞≈†∋ †;††∞. 


               7+∞ ⊥++⊥∋⊥∋≈⊇∋ =∋†∞∞ +†  †+;≈ ⊥;∞≤∞ ;≈ †+ ⊇∞∋+≈≈†+∋†∞ †+∞ ∞≈;†+ +† †+∞ †≠+ 0†∋∞⊇;∋≈ ++∋≈≤+∞≈ ∋≈⊇ ⊥+.....

1≈ 4⊥+;⊥⊥;≈∋’≈ †∞†† +∋≈⊇, ≈+∞ ;≈ ++†⊇;≈⊥ ∋ ≤++≈ ≈†∋†∂, †+;≈ ≈+∋++†;≈∞≈ †+∞ ⊥++≈⊥∞+;†+ +† +∞+ †∋∋;†+ ∋≈⊇ †+∞ 5+∋∋≈ ∞∋⊥;+∞ ≈+≠ †+∋† †+∞ ⊥∋;+ ∋+∞ ∋∋++;∞⊇. 

6

                          4⊥+;⊥⊥;≈∋ ≤++≠;≈⊥ 4∞++ – †++∋ †+∞ 3∞+∋≈†∞;+≈ ∋† 4⊥+++⊇;≈;∋≈. 4++∞≈⊇ 1≈† 0∞≈†∞++ 48. 7+∞ ≈†∋†∞∞ †∞∋†∞+∞≈ 4⊥+;⊥⊥;≈∋ ∋≈⊇ +∞+ ≈+≈ 4∞++, {∞≈† ∋††∞+ +∞ +∋≈ +∞≤+∋∞ 9∋⊥∞+++. 4⊥+;⊥⊥;≈∋ ;≈ ⊥†∋≤;≈⊥ ∋≈ +∋∂ ≠+∞∋†+ +≈ +;≈ +∞∋⊇ ≠+;†∞ ≠;†+ †+∞ +†+∞+ +∋≈⊇ ++†⊇;≈⊥ ∋ ≤++≈∞≤+⊥;∋.

4∞++ ;≈ ≈∞∞≈ ⊇+∞≈≈∞⊇ ;≈ †+∞ ∋+∋+∞+ ∋≈⊇ ≤†+∋∂ +† ∋ ++∋∋≈ ≤+∋∋∋≈⊇∞+ ∋≈⊇ 4⊥+;⊥⊥;≈∋ ;≈ ≠∞∋+;≈⊥ ∋ ≈+∞∞+ ⊇+∞≈≈.   1≈ †+;≈ ≈†∋†∞∞, 4⊥+;⊥⊥;≈∋ ;≈ +∞⊥+∞≈∞≈†∞⊇ ∋≈ ∋ ∋+†+∞+ ∋≈⊇ ∋ ⊥+⊇⊇∞≈≈ †;⊥∞+∞. 3†∋≈⊇;≈⊥ ≈∞≠† †+ ∋≈⊇ ≤++≠≈;≈⊥ +∞+ ≈+≈ +∞⊥+∞≈∞≈†≈ †+∞ †∋≤† †+∋† ≈+∞ ;≈ †+∞ +∞∋≈+≈ †+∋† +∞ +∋≈ ≈+≠ +∞≤+∋∞ 9∋⊥∞+++. 3+∞ ;≈ ∋†≈+ ≈++≠≈ ++†⊇;≈⊥ ∋ ≤++≈∞≤+⊥;∋ ∋≈⊇ ≠∞∋+;≈⊥ ≈+∞∞+ ≤†+†+;≈⊥. 7+∞≈∞ ∋≈⊥∞≤†≈ ⊥+∋≈† +∞+ ⊥+⊇†;∂∞ ∋††+;+∞†∞≈.          7+∞ ≈;⊥≈;†;≤∋≈≤∞ +† †+;≈ ≈†∋†∞∞ ;≈ †+∋† ;† +∞⊥+∞≈∞≈†≈ 4∞++’≈ ∋≈≤∞≈≈;+≈ †+ †+∞ †+++≈∞.

7+∞ ∋≤† +† 4⊥+;⊥⊥;≈∋ ⊥†∋≤;≈⊥ †+∞ +∋∂ ≠+∞∋†+ +≈ +;≈ +∞∋⊇ ≈+∋++†;≈∞≈ +;≈ ≤+∋;≈⊥ †+ †+∞ †+++≈∞ ∋≈⊇ ∋†≈+ †+∞ †∋≤† †+∋† ≈+∞ ≠∋≈ †+∞ +≈∞ ≠++ +∞†⊥∞⊇ +;∋ ⊥∞† †+∞+∞. 7+∞ ≤++≈∞≤+⊥;∋ +∞†⊇ ++ 4⊥+;⊥⊥;≈∋ ≈+∋++†;≈∞≈ ⊥++≈⊥∞+;†+ ∋≈⊇ ⊥++⊇ †++†∞≈∞. 7+;≈ ≤∋≈ +∞ ;≈†∞+⊥+∞†∞⊇ ∋≈ ⊥++≈⊥∞+;†+ ∋≈⊇ ⊥++⊇ †++†∞≈∞ †++ +∞+ ≈+≈ 4∞++ ∋≈⊇ †+∞ 9∋⊥;+∞ +∞ ≈+≠ +∞†∞≈.

7

 

               Roman coinage minted in AD54         The gold coin features the busts of Nero (left) and Agrippina (right) on the obverse side of the coin. Surrounding them are the words ‘AGRIPP AVG DIVI CL AVD NERONIS CAES MATER’. On the reverse side of the coin surrounding a oak-wreath are the words ‘NERONI CLAVD DIVI F CAES AVG GERM IMP TR P’.

Inside the oak-wreath are the letters ‘EX S C’.  On this coin Agrippina is depicted as the mother of the Emperor Nero, as well as a figure of power. She is depicted as an individual of power as her name is printed on the obverse side of the coin rather than her son, the Emperor.         The significance of this coin is the fact that Agrippina is presented on the front of the coin along with her name and titles, signifying her as a person of great importance.  It was the first and last time that a coin insinuated that that a woman, the emperor’s mother, was more im.....

This paragraph has been concealed!Download the complete document
DownloadAgrippina the younger source. Analysis and notes
Click on download to get complete and readable text
• This is a free of charge document sharing network
Upload a document and get this one for free
• No registration necessary, gratis

7+∞ ⊥++⊥∋⊥∋≈⊇∋ =∋†∞∞ +† †+∞ ≤+;≈∋⊥∞ ;≈ †+∋† ++†+ +∞+ ∋≈⊇ +∞+ ≈+≈ ∋+∞ ⊥++∋+†∞⊇ †+ †+∞ ⊥∞+†;≤.

8

               5+∋∋≈ ≤+;≈∋⊥∞ ∋;≈†∞⊇ ;≈ 5548         7+;≈ ++∋∋≈ ≤+;≈ †∞∋†∞+∞≈ †+∞ +∞≈†≈ +† 4⊥+;⊥⊥;≈∋ †+∞ ++∞≈⊥∞+ ∋≈⊇ 4∞++ +≈ †+∞ ++=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈. 4∞++ ;≈ ;≈ †++≈† +† +;≈ ∋+†+∞+ ∋≈⊇ ≤+=∞+≈ †+∞ +∋≤∂ +∋†† +† +∞+ +∞≈†. 3∞+++∞≈⊇;≈⊥ †+∞∋ ∋+∞ †+∞ ≠++⊇≈ ‘4950 07428 8121 6 0493 426 6954 140 75 0 003’.

7+∞ +∞=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈ +∋≈ 4 ∞†∞⊥+∋≈†≈ ≤+≈≈∞≤†∞⊇ †+ †≠+ ≤+∋;≈≈ ≠+;≤+ ∋+∞ +∞;≈⊥ +∞†⊇ ++ 0†∋∞⊇;∞≈ ∋≈⊇ 4∞⊥∞≈†∞≈. 3∞+++∞≈⊇;≈⊥ †+;≈ ∋+∞ †+∞ ≠++⊇≈ ‘465100 426 8121 07428 4950413 0493 44795 95 3 0’. 4⊥+;⊥⊥;≈∋ ;≈ +∞⊥+∞≈∞≈†∞⊇ ;≈ †+;≈ ≤+;≈ ∋≈ †+∞ ++;⊥;≈ ⊥+;≈† +† 4∞++.  3+∞ ;≈ ⊇∞⊥;≤†∞⊇ +∋+∞ +∞∋⊇∞⊇ ∋≈⊇ ≈†∋≈⊇;≈⊥ +∞≈;⊇∞ 4∞++.               7+∞ ⊥++⊥∋⊥∋≈⊇∋ =∋†∞∞ +† †+;≈ ≤+;≈ ;≈ †+∞ +∞⊥+∞≈∞≈†∋†;+≈ +† 4∞++ ∋≈⊇ +;≈ ∋+†+∞+ 4⊥+;⊥⊥;≈∋.

1≈†∞+⊥+∞†∋†;+≈≈ +† †+;≈ ≤+;≈ ≈∋+ ∋≈ 4∞++ ;≈ ;≈ †++≈† +† 4⊥+;⊥⊥;≈∋, ≤+=∞+;≈⊥ ⊥∋+† +† +∞+ ≈;⊇∞ †+∋† †+;≈ ≈+∋++†;≈∞≈ †+∋† 4∞++ ≈†∞∋≈ †++∋ +∞+. 1≈ †∞+∋≈ +† ≈∞≤≤∞≈≈ ∋≈⊇ +;+†+⊥;≤∋††+.

7+∞ +∞=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈ ≈;⊥≈;†;∞≈ †+∞ ≤+≈≈∞≤†;+≈ +† 4⊥+;⊥⊥;≈∋ ∋≈⊇ 4∞++ †+ 4∞⊥∞≈†∞≈ ∋≈⊇ 0†∋∞⊇;∞≈.


3+∞+≤∞≈

9∞+ – 4∞++, 0∋†;⊥∞†∋, 0†∋∞⊇;∞≈.


7+∞ †≠∞†=∞ 0∋∞≈∋+≈


4 +;≈†+++ +† †+∞ 5+∋∋≈ 3++†⊇ – 9.7 3∋†∋+≈

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 175- 7+ ≈∞≤∞+∞ +∞+ ⊥+≈;†;+≈ 4⊥+;⊥⊥;≈∋ ∂;††∞⊇ 4∞++’≈ 4∞≈†, 8+∋;†;∋ 7∞⊥;⊇∋, ∋≈⊇ 4∞⊥∞≈†∞≈’ ⊥+∞∋†-⊥+∋.....

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 175 – 4⊥+;⊥⊥;≈∋’≈ +∞∋⊇ +≈ †+∞ ++≈∞+=∞ ≈;⊇∞ +† †+∞ ≤+;≈ ≈++≠≈ ≈+∞ ≠∋≈ ∋†∋+≈† ≈∞≤≤∞≈≈†∞† ;≈ +∞≤+∋;≈⊥ +∞⊥∞≈†

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 175- 4††++∞⊥+ †+∞+ ≠∞+∞ +∞+ ≈∞⊥⊥++†∞+≈ ;≈ 0†∋∞⊇;∞≈’ †;†∞†;∋∞, 3∞++∞≈ ∋≈⊇ 3∞≈∞≤∋ ⊇;⊇ ≈+† †;∂∞ †+∞ ;⊇∞∋ +† ∋ ≠+∋∋≈ +∞†;≈⊥ †+∞ ++∋∋≈ ≠++†⊇. 0≈⊇∞+∋;≈∞⊇ +∞+ ;≈††∞∞≈≤∞ ++ ≈∞⊥⊥∞≈†;≈⊥ †+ †+∞ ⊥+;≈≤∞⊥≈ †+∋† 4∞++ ≠∋≈ †+∞ ∋∋≈†∞+ +† †+∞ ≠++†⊇ ∋≈⊇ ⊇;⊇ ≈+† ≈∞∞⊇ †+ ≈+∋+∞ +;≈ ⊥+≠∞+ ≠;†+ ∋≈+++⊇+.

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 176- 4⊥+;⊥⊥;≈∋’≈ ++=;+∞≈ ∞∋⊥∞+≈∞≈≈ †+ +∞ ;≈=∞≈†∞⊇ ;≈ ∋∞†+++;†+ ≠++∂∞⊇ ;≈ 3∞≈∞≤∋ ∋≈⊇ 3∞++∞≈’ †∋=+∞+.

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 176- 8∞+ †∋≤∞ ∋+=∞≈ †+ †+∞ +∞=∞+≈∞ ≈;⊇∞ +† †+∞ ≤+;≈ +∞†++∞ ⊇;≈∋⊥⊥∞∋+;≈⊥ ≤+∋⊥†∞†∞†+

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 176- +∞+ ∋††∞∋⊥†≈ †+ ≈;† ∋† +∞+ ≈+≈’≈ ≈;⊇∞ ∋† +∞≤∞⊥†;+≈≈ ≠∞+∞≈’† ∋††+≠∞⊇. 8∞+ ≈∞⊥⊥++†∞+ 0∋††∋≈, †+∞ †;≈∋≈≤;∋† ≈∞≤+∞†∋++, ≠∋≈ +∞⊥†∋≤∞⊇.

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 176 - 3+∞ +∞⊥∋≈ †+ ≈∞⊥⊥++† 0†∋∞⊇;∞≈’ +≠≈ ≤+;†⊇+∞≈, 3+;†∋≈≈;≤∞≈ ∋≈⊇ 0≤†∋=;∋. 3∞† ⊇∞∞ †+ 4∞++’≈ †∞∋+ +† †∋∋;†+ +∞⊥†∋≤;≈⊥ +;∋ †+;≈ ≤∋∞≈∞⊇ +;∋ †+ ∂;†† 3+;†∋≈≈;≤∞≈ (55).

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 176- 4⊥+;⊥⊥;≈∋ ≠∋≈ ∋≤≤∞≈∞⊇ +† †+∞∋≈+≈ +∞† ∞≈≤∋⊥∞⊇ ++ ++†⊇†+ †∋≤;≈⊥ +∞+ ≈+≈. 3+∞ ≠∋≈ ≤+∋⊥∞††∞⊇ †+ +∞∋+=∞ +∞+≈∞†† †++∋ †+∞ ⊥∋†∋≤∞ ∋≈⊇ +∞+ ;≈††∞∞≈≤∞ ⊇;≈∋⊥⊥∞∋+∞⊇ ≤+∋⊥†∞†∞†+.


4⊥+;⊥⊥;≈∋: ≈∞≠, ⊥+≠∞+ ∋≈⊇ ⊥+†;†;≤≈ ;≈ †+∞ ∞∋+†+ ∞∋⊥;+∞.

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 10 - 4⊥+;⊥⊥;≈∋ ≠∋≈ ≤+;†;≤;=∞⊇ †++ ≈∞⊥⊥+≈∞⊇†+ ∞≈;≈⊥ +∞+ †∞∋;≈;≈∞ ≤+∋+∋≈ †+ ∞≈≈≈∋+∞ †+∞ ⊇∞†∞≈≈∞†∞≈≈ 0†∋∞⊇;∞≈

·&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥;&≈+≈⊥; 0∋⊥∞ 13 – 4⊥+;⊥⊥;≈∋ ≠∋≈ †+∞ ⊥+∞∋†-⊥+∋≈⊇⊇∋∞⊥+†∞+ +† 4∞⊥∞≈†∞≈ †+++∞⊥+ +†++⊇†;≈∞ (≈+† †+++∞⊥+ ∋⊇+⊥†;+≈). 3+∞ ≤+∞†⊇ ∋∋∂∞ ∋∞≤+ +† +∞+ 1∞†;∋≈ ⊇∞≤∞≈†. 7+;≈ ≠∋≈ ⊇;≈†;≈≤†;+≈ ∞≈+∞⊥+ +∞† ≈+∞ ∋†≈+ +∞†+≈⊥∞⊇ †+ †+∞ ≈∞≤+≈⊇ ⊥+∞∋† ++∞≈∞ †+ ⊥;=∞ ;†≈ ≈∋∋∞ †+ †+∞ †;+≈† ⊥∞≈∞+∋†;+≈ +† 5+∋∋≈ .....

This paragraph has been concealed!Download the complete document
DownloadAgrippina the younger source. Analysis and notes
Click on download to get complete and readable text
• This is a free of charge document sharing network
Upload a document and get this one for free
• No registration necessary, gratis
Preview page 1 of 2 : [1] [2]
The site owner is not responsible for the content of this text provided by third parties

Legal info - Contact - Terms-Authors - Terms-Customers -
Swap+your+documents